I am no where near as organized or experienced as Lodro or Drew, but here goes. Currently, I have three main modes for shooting images; casual, assignment and planned shots. Since I am still a beginner, my style (if I have one yet) and approaches are still evolving. The BlindSighted Project allows members of...
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I’m at a very formative stage, so I won’t be bringing the sophistication I see on other people’s threads here, because I haven’t got any. However, what I’m doing is important to me, no matter how primitive it might seem. The BlindSighted Project allows members of Blind Photographers to explore challenges related to our...
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I’ve always been a documentary/street photography kind of person. Didn’t like studio work in school either. So I’ve been searching for a long time for tools that would help me shoot on the street. The BlindSighted Project allows members of Blind Photographers to explore challenges related to our eyesight, challenges that affect our image-making...
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I tend to shoot table-top still-lifes that I have arranged. I handle and feel the objects, then arrange them in a pleasing way. Usually I use window light with maybe a reflector card to soften the shadow areas. My equipment does not have click stops which is inconvenient. I have to use a strong...
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I’m a street photographer. I see my job as finding interesting moments on the streets and capturing them, or failing that finding a visually interesting way to capture the myriad uninteresting moments. Interesting can be different things depending on circumstances: beauty, irony, humor, an unusual point of view, novelty in attire or personal expression....
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Drew Bedo: I am interested in knowing about HOW we all work. How do we set up the equipment, choose (or create) a composition, make an exposure and produce a print? For instance: I know of a photographer,not a member of this group yet, who shoots interiors of large. He frames a bright window...
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